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Check Out Ani Collier’s Story

Today we’d like to introduce you to Ani Collier.

Hi Ani, so excited to have you on the platform. So before we get into questions about your work-life, maybe you can bring our readers up to speed on your story and how you got to where you are today?
My life has been one big accident.

I have always wanted to perform everywhere, but living in Bulgaria in a communist regime, one couldn’t travel. Once the Berlin Wall came down I ventured out with no idea what I was doing or where I was going. One step after another, I found my place – of all places – in Gainesville, Florida, around the time of the 1990 serial murders. I thought, “Where am I? The Wild Wild West?” I wanted to buy a gun with my first paycheck.

I stopped drinking coffee for quite a while because there was not a good espresso to be found anywhere in Florida. I wondered why you called football, “football”, when you only touch the ball with your foot for the first kick. Everything was new to me.

I danced on pointe on stage for a number of years in ballets such as The Nutcracker, and Swan Lake, toured internationally, and when I stopped performing, I earned a couple degrees from UF and stayed with the Gators in “The Swamp”. A few dogs later, a husband and a son kept me in Gainesville, Florida even though I shifted gears as a photographer and visual artist displaying work in galleries from NYC to Cuba, from Italy to Bulgaria.

Currently, I’m part of a creative trio at Black C Art alongside Director/Educator Lauren Warhol Caldwell and Performance Artist Tom Miller, producing and performing original immersive experiences.

I can’t quit. I love what I do.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
Once a dancer, always a dancer. However, the body doesn’t do what it used to do.
So, one has to adapt. Instead of a leading Swan, I’m the Queen.

Alright, so let’s switch gears a bit and talk business. What should we know about your work?
My body of work continues to evolve; from a principal dancer in classical ballets to a photographic fine artist, from performer to producer, from artist to director, and vice-versa. I have choreographed for numerous dance companies including Gainesville’s Dance Alive National Ballet, and created dance/theatre performances at regional venues including Gainesville’s Hippodrome Theatre; some of which enjoyed international festival tours. I cherish each and every creative opportunity.

Do you any memories from childhood that you can share with us?
I was kind of a Tomboy and always filled with energy. I was climbing trees, running around with the boys, and breaking things in the small apartment where I lived with three generations of my family. My mother signed me up for ballet training, thinking that would help channel my energies and she created a Ballerina instead.

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